contain  multitudes  •  by  Padma  Dorje  •  established  in  2003
contain  multitudes
buddhismauthortranslationscribblesnewsletternew on tzalmusicsitemaplatestpatronageBandeira brasileira para se referir a versão em português doi site. Brazilian flag standing for the Portuguese version of the website. português

Writting and Money

“I sometimes think writers’ love of money is purer than that of hedgefund managers or bankers; only serious writers really appreciate the delicious, improbable perfection of getting paid.” Geoff Dyer, Zona

Some breath-taking visions from the film of Andrei Tarkovsky. I took the music and sounds from the film too.YouTube

Stalker montage

Some breath-taking visions from the film of Andrei Tarkovsky. I took the music and sounds from the film too.
MONKEY, IN PROFILE and in colour, still wearing that autumnal gold-brown headscarf, reading. Reading in the way people used to read, before there were so many books that they became a bit of a nuisance and burden, before there was even an inkling of the Kindle. Smoke is drifting. Nice-looking smoke, incense. Floating blossom. The loud cheep and chirrup of birds: Zone sounds, Zone blossom. But also the railroad and dockside moan of horns— sounds that were nowhere to be heard in the Zone, the quietest place on earth. We are on the brink, here, of one of the all-redeeming moments of any art form. It can’t be isolated from what has gone before, it gathers into itself the whole film. But by ‘all-redeeming’ I don’t just mean in the context of this film. It redeems, makes up for, every pointless bit of gore, every wasted special effect, all the stupidity in every film made before or since. Oh well, you think, none of that matters, all of that is worth it, for this. Geoff Dyer, Zonatzal.org

Monkey

MONKEY, IN PROFILE and in colour, still wearing that autumnal gold-brown headscarf, reading. Reading in the way people used to read, before there were so many books that they became a bit of a nuisance and burden, before there was even an inkling of the Kindle. Smoke is drifting. Nice-looking smoke, incense. Floating blossom. The loud cheep and chirrup of birds: Zone sounds, Zone blossom. But also the railroad and dockside moan of horns— sounds that were nowhere to be heard in the Zone, the quietest place on earth. We are on the brink, here, of one of the all-redeeming moments of any art form. It can’t be isolated from what has gone before, it gathers into itself the whole film. But by ‘all-redeeming’ I don’t just mean in the context of this film. It redeems, makes up for, every pointless bit of gore, every wasted special effect, all the stupidity in every film made before or since. Oh well, you think, none of that matters, all of that is worth it, for this. Geoff Dyer, Zona
Stalker’s wife walks towards the wall and then sits down, turns to the camera and takes a cigarette from her packet. A dreadful moment, this, for me. By lighting and smoking a cigarette she turns herself, instantly, into something hideous. That sheepskin coat, we realize now, must stink of cigarettes— and her hair. And it’s not just that: I hate all gestures associated with finding, lighting and smoking a cigarette. Geoff Dyer, Zonatzal.org

Stalker's Wife

Stalker’s wife walks towards the wall and then sits down, turns to the camera and takes a cigarette from her packet. A dreadful moment, this, for me. By lighting and smoking a cigarette she turns herself, instantly, into something hideous. That sheepskin coat, we realize now, must stink of cigarettes— and her hair. And it’s not just that: I hate all gestures associated with finding, lighting and smoking a cigarette. Geoff Dyer, Zona
“It was not a case of love at first sight: the first time I saw Stalker I was slightly bored and unmoved. I wasn’t overwhelmed (to put it slightly stupidly, I had no idea that, thirty years later, I would end up writing an entire book about it), but it was an experience I couldn’t shake off. Something about it stayed with me.” Geoff Dyer, Zonatzal.org

Acquired Taste

“It was not a case of love at first sight: the first time I saw Stalker I was slightly bored and unmoved. I wasn’t overwhelmed (to put it slightly stupidly, I had no idea that, thirty years later, I would end up writing an entire book about it), but it was an experience I couldn’t shake off. Something about it stayed with me.” Geoff Dyer, Zona
Geoff Dyer


If you see any merit on this website's content, please spread the word—comment and share on social networks. It is a practice of generosity that helps my own practice of generosity in producing and making this content available.



Padma Dorjetzal.org is produced by
Padma Dorje.

•
email

•
newsletter

•
PayPal

•
Patreon

Begging bowl for donations.

all content, design and coding by Eduardo Pinheiro, 2003-2024
(except where explicitly otherwise indicated)

This work is licensed under CC BY-NC-ND 4.0 Creative Commons Attribution. Non commercial. Non derivatives.