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HomeBuddhismA Review of “Gendun Chopel: Tibet's Modern Visionary”

A Review of “Gendun Chopel: Tibet's Modern Visionary”


Best and most accessible book on the foremost Tibetan modernist figure

I’ve become interested in the ideas and life of Gendun Chopel after hearing some quite high and public praises by lamas such as Dzongsar Khyentse Rinpoche and His Holiness the Dalai Lama. The name really stuck, and I have been following Professor Lopez’s work since the early 2000s.

A few years ago I was working as a Portuguese interpreter in Brazil for a quite well known Western Buddhist scholar, and I asked him about Gendun Chopel. His answer was dismissive; he said “I don’t quite understand the academic fetish around this person”. He also warned me against Professor Lopez’s lack of open commitment to the Buddhist teaching, “Either he is a crypto-Buddhist and believes academic impartiality is higher than refuge, or he is not a Buddhist at all”.

I must say I am not in academia, and I have been a practicing Tibetan Buddhist for around 20 odd years now. So, I don’t seek to read books out of curiosity, or simply as an intellectual endeavor, but only in order to enhance my devotion and practice.

So I read Professor Lopez's books with the utmost carefulness, not quite allowing myself to become a “fan”, even though the subject matter was quite the type of stuff I am interested in – some of the more interesting internal polemics between Tibetan schools, sexuality, the adaptation of Buddhism to modernity, and a mercurial figure that could perhaps be a “crazy wisdom master”.

I confess I was in doubt about Lopez – but not quite in doubt about Gendun Chopel, since he was openly praised by my teachers – up until this book. I have read 4 of the other 5 books he wrote on the subject, but this was the one that won me over. This guy might be a crypto-Buddhist, but the way he qualifies Gendun Chopel as a Buddhist, and perhaps a great scholar master, is quite indicative of a deep understanding of Buddhism; of the kind I have only so far seen in Dzongsar Jamyang Khyentse Rinpoche himself. The way he recognizes Gendun Chopel’s Dharma practice is really very profound.

So I can finally disregard that one-sided warning and welcome Professor Lopez to the mandala of my mind.

Apart from my perhaps idiosyncratic religious inclinations and peculiar interests, the reader can rest assured: this is a delightful interesting book to read. If you like spirituality, biography and particularly how some of the modernist (global) ideas played on the mind and actions of a highly gifted person from a very xenophobic culture that had a first hand glimpse of India’s multiculturalism in the effervescent beginning of the last century, you will love it.

If you are interested in the multicultural challenges the adaptation of Buddhism has to face in the modern world, this is also an essential book on that.

If you are interested in Buddhism in general, and in the history of how Buddhism came to the west, this is a seminal work. If you are a Tibetan Buddhist student, you need to know this teacher, Gendun Chopel. And that’s the best and most accessible book about him.

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On of the tracks of Voice of Tibet, a CD by Chagdud Tulku Rinpoche, translated and transliterated for recitation. It is actually the beginning portion of the famous Karma Lingpa cycle's ngondro, which quaint orientalists used to call “Tibetan Book of the Dead”.tzal.org

Prayer upon awakening

On of the tracks of Voice of Tibet, a CD by Chagdud Tulku Rinpoche, translated and transliterated for recitation. It is actually the beginning portion of the famous Karma Lingpa cycle's ngondro, which quaint orientalists used to call “Tibetan Book of the Dead”.
Visualization practice sometimes involves traditional symbolism that Westerners have trouble relating to, says Dzongsar Khyentse Rinpoche. Lion's Roar

Pure, Clear, and Vibrant

Visualization practice sometimes involves traditional symbolism that Westerners have trouble relating to, says Dzongsar Khyentse Rinpoche. "As the twentieth-century Tibetan scholar-monk Gendun Chöpel pointed out, Vajrayana practitioners must get used to believing in the unbelievable. Tantric methods of visualization might involve creating a raging inferno in your mind's eye, in the midst of which sits a deity on a fragile lotus flower and a cool moon seat, embracing a very passionate consort, and surrounded by an unruly mob of angry deities wielding deadly implements. Yet the heat and the flames do no harm whatsoever and no one gets hurt. A rational analysis of such a situation can only result in disbelief, since everything about this scene is contradictory and nothing in it could possibly exist in our ordinary reality. But the point is that tantric practitioners have to get used to believing in the unbelievable. Our aim is to unite and dissolve subject and object so that they are one. We unite desire and anger, dissolving them into one, just as we do heat and cold, clean and dirty, body and mind. This is known as "the union of jnanas and kayas," and is the ultimate kind of union. // Gendun Chöpel also said that the reason we cannot grab hold of inexpressible notions like that of dharmadhatu is not because we strongly believe in what exists. On the contrary, it is because we strongly disbelieve in what does not exist. But it will take quite some time to insert this new knowledge of nonduality into our very stubborn system of duality."
The movie by Khyentse Norbu in the words of your favorite webkeeper Padma Dorje.tzal.org

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