contain  multitudes  •  by  Padma  Dorje  •  established  in  2003
contain  multitudes
I knew he was lucid, but didn't knew he was QUITE THIS LUCID. // Noam Chomsky's well-known political views have tended to overshadow his groundbreaking work as a linguist and analytic philosopher. As a result, people sometimes assume that because Chomsky is a leftist, he would find common intellectual ground with the postmodernist philosophers of the European lef...Open Culture

Noam Chomsky Slams Zizek and Lacan: Empty ‘Posturing’

I knew he was lucid, but didn't knew he was QUITE THIS LUCID. // Noam Chomsky's well-known political views have tended to overshadow his groundbreaking work as a linguist and analytic philosopher. As a result, people sometimes assume that because Chomsky is a leftist, he would find common intellectual ground with the postmodernist philosophers of the European lef...
Before he directed such mind-bending masterpieces as Time Bandits, Brazil and Fear and Loathing in Las Vegas, before he became short-hand for a filmmaker cursed with cosmically bad luck, before he became the sole American member of seminal British comedy group Monty Python, Terry Gilliam made a name for himself creating odd animated bits for the UK series Do Not Adjust Your Set. Gilliam preferred cut-out animation, which involved pushing bits of paper in front of a camera instead of photographing pre-drawn cels. The process allows for more spontaneity than traditional animation along with being comparatively cheaper and easier to do.Open Culture

Terry Gilliam Reveals the Secrets of Monty Python Animations: A 1974 How-To Guide

Before he directed such mind-bending masterpieces as Time Bandits, Brazil and Fear and Loathing in Las Vegas, before he became short-hand for a filmmaker cursed with cosmically bad luck, before he became the sole American member of seminal British comedy group Monty Python, Terry Gilliam made a name for himself creating odd animated bits for the UK series Do Not Adjust Your Set. Gilliam preferred cut-out animation, which involved pushing bits of paper in front of a camera instead of photographing pre-drawn cels. The process allows for more spontaneity than traditional animation along with being comparatively cheaper and easier to do.

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